Award-winning sound artist Justin Wiggan reviews RoshiWave glasses.
For many users, RoshiWave provides a simple and hugely effective means of deep relaxation. For others it delivers so much more.
Justin Wiggan is an internationally renowned, award-winning sound artist working at the frontiers of arts and public intervention. His company, Glass Twin Ltd, uses sound as a tool to promote mental wellbeing through technology, reflection, nostalgia and memory.
His pioneering use of sound and RoshiWave technology combined has delivered remarkable results. Here, he talks through his initial RoshiWave experience:
After several times of using the RoshiWave, I can genuinely say it has redefined how I theorise and access and navigate inner space. On its own, the device is incredibly effective — using pulsed light to recalibrate brainwaves — but when I started combining it with solfeggio frequencies and my own sound compositions, it became something much deeper. It’s not just a meditation tool anymore; it’s a portal into a responsive, living inner world that I can actually move around in.
The first time I used the RoshiWave with my own layered ambient tones and solfeggio frequencies, I noticed something subtle but profound: a sense of spatial orientation within the mind. It was like stepping into a vast, fluid architecture built entirely of light, sound, and thought — and I wasn’t just passively observing it. I could navigate it. With closed eyes, I felt like I was drifting through corridors of sensation, hovering between memory, intuition, and raw perception. Sometimes I’d spiral gently upward in a column of glowing tones; other times I’d sink into deep, warm chambers where thought dissolved into pure stillness. This liminal thought space has the potential to become an arena of self healing. One of safety, curiosity and freedom.
Each RoshiWave mode seems to be able to shape this inner landscape differently either a sense of circular movement or a slow orbit or like walking through shifting weather systems of the mind. It’s not always “visual” in a literal sense, but deeply spatial — like sound and light forming architecture that you can sense with your full “body” awareness.
I’d love to design compositions with specific frequencies, textures, and rhythms, to map emotional or energetic “zones” within this inner space. For instance, combining 396 Hz (for release of fear) with low-pulse textures could create a grounded, cave-like sensation — safe and calming. Meanwhile, 528 Hz with delicate harmonics and upward-moving drones would feel like floating through a crystalline forest or cathedral.
There’s a real massive potential of a sense of agency in this experience. Not being pulled into a passive trance — but co-creating a space, stepping into it, and choosing how to move through it. Sometimes it’s for emotional processing, sometimes creative ideation, and other times pure restorative stillness. But the key is: there’s movement. Not just physical stillness with a quiet mind, but a dynamic internal unfolding that feels alive and exploratory.
This kind of inner navigation — this embodied, spatial consciousness — is something I’ve never quite experienced. It’s part sound healing, part lucid dreaming, part neuro-art. And with the RoshiWave acting as a kind of neural compass, it always brings me back with a sense of renewal.
If you’re someone who creates, heals, explores, or simply wants to understand the landscape within yourself better, I can’t recommend this approach enough. The RoshiWave, paired with intentional sound — especially solfeggio frequencies and your own compositions — becomes more than a device. It becomes a vessel.
